RTM 17                                                                                                                                                                                                   http://www.watchingtheriverflow.org/RTM/RTM 17.htm

 

 

Donald N. Dedmon Center

Radford University

Radford, Virginia

16 April 1993

 

 

Disc 1 [60:49]

1. Hard Times [5:42]

2. Positively 4th Street [8:25]

3. All Along The Watchtower [5:49]

4. You're a Big Girl Now [5:27]

5. Tangled Up In Blue [9:30]

6. Born In Time [6:27]

7. Watching the River Flow [6:36]

8. Jim Jones [6:59]

9. Tomorrow Night [5:51]

 

Disc 2 [58:17]

1. Mr. Tambourine Man [8:32]

2. Don't Think Twice, It's All Right [9:46]

3. Knockin' On Heaven's Door/I And I [2:03]

4. I And I continued... [4:27]

5. Everything Is Broken [5:22]

6. Everything Is Broken continued... [1:00]

7. What Good Am I? [9:43]

8. Maggie's Farm [6:45]

9. It Ain't Me, Babe [10:35]

 

 

Concert # 475 of The Never-Ending Tour. Concert # 4 of the 1993 US Spring Tour. 1993 concert # 19.

Concert # 19 with the 9th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Bucky Baxter (pedal steel guitar & electric

slide guitar), John Jackson (guitar), Tony Garnier (bass), Winston Watson (drums & percussion)

1, 8-12, 18 acoustic with the band.

9-11, 18 Bob Dylan harmonica.

1 Bucky Baxter (accordion).

11, 18 Bucky Baxter (electric mandolin).

3 new songs (16%) compared to previous concert. 2 new songs for this tour..

 

NOTES:

Cat's In the Well is missing from this source

Some track transitions are not entirely seamless

D1 T5: [4:22] skip

D1 T8: [3:54] glitch

D2 T3: [1:35] Heaven's Door abruptly cuts into I and I

D2 T4: [1:39, 3:00] skip, time slip and volume dip? odd...

D2 T8: [0:54] digi-fuzz

D2 T9: [9:01] digi-fuzz

 

SOUND: Rusty and burnt to a crisp, the soundtrack to some old television broadcast, this is fuzzy, muffled and the vocals

are about as charbroiled as can be. Still, there's a bizarre sort of compressed, almost comfortable feeling here, I don't know,

this isn't for the unseasoned...call it a solid C...C minus?

 

COMMENTS: Average start of the show, and that's not really a bad thing if you think about it. Bob isn't on auto-pilot, but

he's not exactly kicking the cat around the alley and running nude through the garden, if you know what I mean. The band is

playing average as well, although they happen almost accidentally into a nice thing somewhere in the middle of

Watchtower. Bob's got some pep during Big Girl Now, he's shoving lines crisply together, making the music work with his

odd sense of timing, but the playing is largely dire, so we're still at a wash. He's mumbling some kind of thanks afterwards,

and Tangled is usually a good indicator of how the rest of the show is going to go, so let's see what we're in for. Damn, more

of the same: normalness. Born In Time is where it's at, I see, Bob waited a song beyond the norm to get things going. The

band kicks it off with this sweet chunka-chunka chord play ("chunka-chunka" being a professional term, mind) and he's

singing light and heavy all at the same time. Shame the damn vocal distortion kicks up, but this is still better than the first 5

tracks combined, and the final jam is beautiful. Odd noodling leads into a typical River Flow, you know, lip-splitting vocals

with a flub here or there? Kudos of the first half? Well, it might go to an outstanding Jim Jones, and Bob get the gold star

up on the big board for singing this song simply, as a storyteller, and keeping his shouting, over-dramatic and painfully

affected garbage far away. Yes, his guitar playing is clunky, but he sings this one well. The crowd erupts, presumably over

the sight of Bob grabbing the harmonica for Tomorrow Night. And I'll be dipped if this isn't sung better than Jim Jones, hold

up that gold star, and move it on over here. He gets this one just right, low and too-old-to-be cranky , and then the way he

kicks back in with a sawblade harp solo, just about says it all. Tambourine Man is very well done, he usually flatlines the

lyrics because he's looking ahead to the little TamJam breakdown, but here, for once, he's interested in really singing the

actual song. And just when you think the 1966-esque jamming can't take you anywhere new Bob waits until the final

moment before coming in with a hilarious harp solo that will just make you laugh out loud. It's so light, so damn cheery, it's

just nice little throwaway moment which Bob seizes without warning and instantly creates a good time. His playfulness

carries over to the intro of Don't Think Twice, listen to that, he nearly gets a clap-along up and running. Excellent guitar

picking by the guys, and the crowd appreciates it, and Bob peels off another sparkling harp solo in acknowledgement. They

transition instantly to Heaven's Door, which is when the sound takes a turn for the worse, and to make matters worse the

song cuts after a minute and a half, skips Cat's In The Well, and by the time we catch up with things again they're just

starting I And I. What Good Am I? has Bob wailing plaintively and sounding slightly deranged, and Tony gamely thumps

high and low along with him, a diseased pulse. A nearly spoken word Maggie's Farm follows, and it manages to be

engaging from start to finish, no small feat.

 

BOTTOM LINE: Hey now, here's a nice show with a terrific acoustic set, albeit in average sound.

 

 

Setlist and NET info © 2001 by Olof Björner

Recording notes and comments © 2005 by the proud members of the Glenn Cripes Fan Klub

 

original source: http://www.gopherstick.com/RTM%2017%20April%2016.htm